Shaham's New Album Unites Two Underappreciated Concertos
Violinist Gill Shaham has released a new album pairing Samuel Coleridge-Taylor's Violin Concerto with Antonín Dvořák's, a shrewd coupling that reveals unexpected affinities. The recording, with the Philharmonia Orchestra under conductor John Wilson, presents Shaham's fluid technique and imposing presence, bringing fresh attention to both works.
Coleridge-Taylor's Concerto: A Neglected Gem
Samuel Coleridge-Taylor's Violin Concerto, composed in 1912, has long been overshadowed by his better-known choral work Hiawatha. Shaham's performance emphasizes its lyrical melodies and rich orchestration, drawing out the influence of Dvořák, who mentored Coleridge-Taylor. The concerto's second movement, a tender romance, is particularly affecting in Shaham's hands, with a warm, singing tone.
Dvořák's Concerto: A Familiar Masterpiece Reimagined
Dvořák's Violin Concerto, a staple of the repertoire, is given a fresh interpretation. Shaham balances the work's folk-inflected themes with its virtuosic demands, delivering a performance that is both energetic and nuanced. The orchestra under Wilson provides robust support, particularly in the fiery finale.
Critical Reception and Impact
Critics have praised the album for its thoughtful programming and Shaham's artistry. According to The Guardian, the pairing is "shrewd," and Shaham's playing is "fluid and imposing." The recording is expected to boost interest in Coleridge-Taylor's concerto, which has seen a resurgence in recent years. Shaham's interpretation may become a benchmark for future performances.
