The new film Executioner is a darkly comic blackmail thriller that sees a sleazy member of parliament hamming it up alongside a sex worker in a story full of twists and sharp satire. The movie, directed by up-and-coming filmmaker Sarah Jenkins, premiered at the Sydney Film Festival to mixed but enthusiastic reactions.
Plot and Performances
The narrative centers on MP Richard Croft, played with relish by veteran actor David Wenham, whose secret affair with escort Jasmine (played by newcomer Eliza Scanlen) is threatened by a mysterious blackmailer. As the stakes rise, Croft's desperation leads him into increasingly absurd situations, blending tension with dark humor.
Wenham's performance is deliberately over-the-top, embodying the entitled arrogance of a politician who believes he can talk his way out of anything. Scanlen provides a grounded counterpoint, bringing depth to a character who refuses to be a victim. The chemistry between them fuels the film's uneasy charm.
Direction and Tone
Jenkins, known for her previous indie hit Suburban Noir, employs a slick visual style that contrasts the sterile corridors of power with the gritty underbelly of the city. The script, co-written by Jenkins and Mark Llewellyn, is peppered with biting one-liners that target political hypocrisy and media sensationalism.
According to Jenkins, the film aims to explore "the transactional nature of power and intimacy, and how easily they can be weaponized." The result is a thriller that keeps audiences guessing while delivering pointed social commentary.
Critical Reception
Early reviews have praised the film's audacity and entertainment value, though some critics note that the plot strains credibility. The Guardian's Luke Buckmaster gave it three stars, calling it "a hammily entertaining romp that doesn't quite stick the landing but has a blast trying." The film has garnered a 72% approval rating on Rotten Tomatoes from early screenings.
Audiences at the festival responded warmly, with many citing the performances and sharp dialogue as highlights. The film's runtime of 98 minutes keeps the pace brisk, never overstaying its welcome.
Impact and Relevance
In an era of political scandals and media circuses, Executioner feels particularly timely. It skewers the insular world of politics and the transactional relationships that often go unexamined. While not every joke lands, the film's willingness to take risks is commendable.
Produced on a modest budget of $3 million, the film has already secured distribution deals in Australia and the UK, with talks underway for a US release. It is expected to perform well in the arthouse circuit and among fans of satirical thrillers.
Overall, Executioner is a bold, flawed, and thoroughly engaging film that showcases Jenkins' growing confidence as a storyteller. It may not be for everyone, but those who appreciate dark comedy and political satire will find plenty to enjoy.
