Lisette Oropesa delivered a dazzling performance in Bellini's I Puritani at the Metropolitan Opera, captivating audiences with her vocal agility and dramatic intensity. The production, directed by Simon Stone, offered a fresh and engaging take on the bel canto masterpiece, blending traditional elements with modern sensibilities.
A Stellar Performance by Oropesa
Oropesa, known for her crystalline coloratura and expressive phrasing, brought the role of Elvira to life with remarkable depth. Her rendition of the mad scene in Act II drew prolonged applause, showcasing her ability to convey both technical brilliance and emotional vulnerability. According to the Met's press office, Oropesa's performance has been hailed as one of the highlights of the season.
The soprano's chemistry with tenor Javier Camarena, who played Arturo, added a layer of romantic tension to the production. Their duets were marked by seamless blending of voices and nuanced interaction.
Simon Stone's Vision
Director Simon Stone, known for his innovative approach to classic works, set the opera in a puritanical society reminiscent of 17th-century New England. The stark, minimalist sets by designer Bob Cousins emphasized the characters' emotional isolation, while the use of video projections added a contemporary touch. Stone's staging emphasized the psychological turmoil of the characters, particularly Elvira's descent into madness.
Critics have noted that Stone's interpretation respects the original libretto while offering a new perspective on the conflict between love and duty. "Stone's direction brings a clarity to the story that is often missing in traditional productions," said opera critic Anne Midgette in a review for the New York Times.
Musical Excellence Under Conductor Speranza Scappucci
The Met Orchestra, under the baton of conductor Speranza Scappucci, delivered a vibrant and sensitive accompaniment. Scappucci's tempos were well-judged, allowing the singers to shine while maintaining the momentum of Bellini's score. The chorus, prepared by Donald Palumbo, contributed powerful ensemble moments, particularly in the Act I finale.
Bellini's music, known for its long melodic lines and intricate ornamentation, was performed with precision and passion. The orchestra's woodwinds and strings were especially praised for their lyrical quality.
Audience and Critical Reception
The opening night on June 30, 2026, received a standing ovation from the sold-out house. Social media buzz highlighted Oropesa's performance as a career-defining moment. The production is scheduled for six more performances through July 18, with an alternate cast on select dates.
In a statement, Met General Manager Peter Gelb said, "This production of I Puritani reaffirms the power of bel canto opera to move modern audiences. Lisette Oropesa is a once-in-a-generation talent, and Simon Stone's staging is both respectful and revolutionary."
Context and Significance
I Puritani, Bellini's final opera, premiered in 1835 and has remained a staple of the repertoire due to its demanding vocal writing and dramatic intensity. The Met's last new production of the work was in 2007, making this revival highly anticipated. The current staging is part of the Met's initiative to present fresh interpretations of bel canto works, following successful runs of Donizetti's Anna Bolena and Rossini's Guillaume Tell.
With Oropesa's tour de force and Stone's insightful direction, this I Puritani is likely to be remembered as a highlight of the Met's 2025-26 season.
